| Without dwelling on confusing terminology and use of the term "Sonata", for example its
use by Bach describes quite a different use from that by Scarlatti, than by Mozart etc.,
I want to concentrate on the development of the especially rich tradition of the
"Sonata-Allegro" form which is most often the first movement of a "Sonata" by Mozart or
Beethoven, or the "Outer" first and last movements of symphonies from Haydn on.
I will mention in passing the origins of this form, but far more entertaining is its use
as a full fledged tradition and the variants of it that almost as quickly arise.
Far from being a dry academic topic, this form is important because of its vitality.
There are so many famous examples in the standard repertoire of a rich variety and
variation of its use that are just delightful. I hope to revive your wonderment at
specific pieces you know, or cause you to seek them out, with analysis of how this form
is used in beloved movements.
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